Highland Dance

Are you registering for the 2021 Highland Dance Competition?

Online Registration

Many thanks to Mrs. Karen and the Hon. Patrick E. MacRae, FSA, Scot. for sponsoring  
Trophies and Medals for the Highland Dance competitions again in 2021.

Highland Dance - Capt. J.R. Dolley Memorial Award
- Sponsored by his children and grandchildren

Highland Dance - The Marguerite Reid Memorial Award
- Sponsored by Mrs. Karen and the Hon. Patrick E. MacRae, FSA, Scot.

Highland Dance - Juanita Summitt Memorial Award
- Sponsored by her children and grandchildren

Highland Dance - Donald R. MacRae Memorial Award
- Sponsored by Mrs. Karen and the Hon. Patrick E. MacRae, FSA, Scot.

Highland Dance - Fredrick Wilkening Memorial Award
- Sponsored by his children and grandchildren

Most Promising Dancer 2021 - Spey Co. Award
- Sponsored by Paul Ashe, Spey Co.

Primary Awards
- Sponsored by
 Amy Jenkins

Highland Dance Medal Sets
- Sponsored by Mrs. Karen and the Hon. Patrick E. MacRae, FSA, Scot.

Dance is common to all cultures. Most of the true Highland dances are connected with ancient Scottish folk customs. The present form evolved through the centuries as refinement in the general form of dance occurred, but the original basic steps and the themes were passed on through the years.

The two main types of Scottish dance, Country Dance and Highland Dance, differ considerably in style and purpose. Country Dances have the character of ballroom or social dancing, while Highland Dances are quite different. The Highlands are performed solo. They have precise, difficult movements and require much stamina and coordination. Highland Dances were originally danced by men only, but now they're performed by far more females than males. Dance steps are standardized by the Scottish Official Board of Highland Dancing (SOBHD) and competitions are held world-wide. In the United States, six geographic regions hold a qualifying competition each spring from which the top three finalists from each region are selected to compete at the United States Inter-Regional Highland Dancing Championships.

Judges evaluate a dancer on three major criteria: timing, technique and deportment.

  • TIMING refers to the ability of the dancer to follow the rhythm of the music. Dancers must place feet, arms and head in very precise position simultaneously with the music.
  • TECHNIQUE means the correct execution of footwork in coordination with head, arm and hand movements. 'Elevation,' or the ability to spring vigorously above the dance platform, counts heavily. But: regardless of how showy a movement may appear, it can never really be a winner if performed out of position.
  • GENERAL DEPORTMENT covers the interpretation the dancer displays in performing the dance. Balance and general appearance are very important. And, it's important that no matter how difficult the dance really is, the dancer must display supple movement with effortlessness, pleasure, freedom from elaborate showiness, and an unhurried attitude.

Traditionally, Highland Dancing and Scottish National Dancing competitions are done to bagpipes. The version pipers play today dates back to the 16th Century, when the MacCrimmon family, pipers for McLeod of Harris, worked out not only the form of the bagpipes, but also the intricate fingering on the chanter. The music itself consists of the melody, which is played on the chanter, backed up by continuous and unvarying tones from the three drone pipes.

A dance of victory in battle. Traditionally, the ancient warriors and clansmen performed this dance on the small round shield (called a targ) which they carried into battle. One can understand the quick footwork and dexterity of the dancer when it is pointed out that most targs carried a pinpoint sharp spike of steel projecting some 5-6 inches from its center. A false or careless step could be more than a little painful.

The ancient dance of war of the Scottish Gael. It is said to date back to King Malcolm Canmore. There is no Highland Dance older or better known thean the Ghillie Callum. Tradition says the original Ghillie Callum was a Celtic prince who was a hero of mortal combat against one of MacBeth's chiefs at the Battle of Dunsinane in 1504. He is said to have taken the chief's sword, crossed over it with his own on the ground before him, and danced over them both in exultation.

Prounounced 'shawn trews' in Gaelic, in English it transslates to 'old trousers.' Origins are obscure: it definitely depicts a person in the act of shedding his trousers. It's said by some the dance came about in 1783 when the British Disarming Act of 1747 was finally repealed and Scots were allowed to wear their tartans and kilts once again. The dance mimics a Scot shedding his britches (during the slow, first part of the dance) and returning to his tradition of Highland dress and custom (during the final, up-tempo fling-like step).

Of all the Highland Dancing events in which the competitors vie, the reels are the closest approach to social dancing. Even these, however, are individual competitions. While the teams consist of four dancers, the judges mark each competitor individually. Legend has it the reel originated with wellwishers waiting for the minister to arrive at the church for a wedding on a cold day. The chilly group danced as a means of keeping warm.

This dance may seem to be out of place at Scottish Games, but the dance is not only an Irish tradition. The Scottish version, however, is meant to be a parody of an Irish washerwoman in an agitated frame of mind. While the steps are traditional, the arm movements are not. Arm movements are an intrinsic part of Scottish dance, and so the Scots added them to the Irish Jog as a humorous salute to their Celtic bretheren across the Irish Sea.

These four dances (and others) are known as Scottish National dances. They're of a more modern origin and have been colleected from old dance masters. In America, National dances awere not danced im competition until the 1960s. The attire worn by female dancers is called the Aboyne dress, named after the Aboyne Highland Games of Scotland where up to this day, the wearing of the kilt is strictly forbidden to women. The National dances are very similar to Highland dances, but the style is more flowing and balletic. They require a lot of skill to execute correctly, and spectators will note that often the rhythms are more complicated than in conventional Highland dancing.

This dance is common to many parts of the British Isles. It derived its name from the fact that usually the musical accompaniment was played on a hornpipe rather than on bagpipes. Hornpipes were common instruments in those days; they were comparable to our present-day tin whistle. In time the dance became popular among seafaring men and is now associated with sailors. The modern Hornpipe imitates many shipyard activities common in the days of wooden ships and iron men.

In the zone


Virginia Scottish Games Association 2021


Labor Day Weekend:
September 4 & 5, 2021
September 3 & 4, 2022
September 2 & 3, 2023